Short Story Writing Course with Kerry Hadley-Pryce

With Kerry Hadley-Pryce. Starting 31/08/2022

Start Date: August 31st, 2022 – 2 places remaining

You don’t have to be online at any particular time or day. Instead, this advanced creative writing course is carried out through email correspondence, so you can read the notes whenever it suits you. There will be weekly notes and assignments over the course of six weeks. Your tutor will read each assignment and provide written feedback.

Note: The tutor will email you on the course start date with your first module; please check your Spam/Junk folder for this email.

This is a course for adults.

Module 1: Flash Fiction
When does a short story become ‘flash fiction’ – or vice versa? What’s the difference, anyway? In this module, we’ll be looking at the way brevity can work in our narrative, exploring flash, short, and micro fictions and practising some practical ways of sharpening up your narrative style.

Module 2: Ekphrasis in Short Stories
The dictionary definition of ekphrasis means ‘to describe a work of art,’ and ekphrastic writing has traditionally been associated with poetry, but we’ll be using it to inspire short stories. We’ll consider how visual images can work for us creatively, illustrating how art and image can both inspire and inhabit our short stories.

Module 3: Stories out of the Everyday
In this module, we’ll be working our creative muscles to explore ways in which, by looking at the ‘ordinary’, we can enliven our narrative style and produce a satisfying and compelling short story.

Module 4: Active Writing
This module aims to encourage you to experiment with your narrative voice by exploring ways to ‘find stories’ and to convey them in an original way.

Module 5: Stealing Stories
T. S. Eliot said, ‘Mediocre writers borrow; great writers steal.’ And here’s Mark Twain: ‘There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.’ In this penultimate module, we’ll be looking at ways to harvest the premise of a story and to develop our own ways of structuring and owning it.

Module 6: Endings
The best way to complete a short story course is to explore ‘endings’. In this module, we’ll be looking at the different ways you could end your story. We’ll read some examples and consider, amongst other things: ‘to twist or not to twist?’ Open or closed endings? Circular or linear?

To find out more about how the online courses work, or if you have any further queries, you can check out our Frequently Asked Questions or email us at

Our cancellation/refund policy may be viewed here.

About The Tutor

Kerry Hadley-Pryce is the editor of The Blackcountryman magazine. Her first novel, The Black Country, published by Salt Publishing in 2015, was part of her MA Creative Writing, for which she gained a distinction and was awarded the Michael Schmidt Prize for Outstanding Achievement 2013–14. She has had several short stories published in various anthologies and online at Fictive Dream and The Incubator. Her second novel, Gamble, also published by Salt Publishing in June 2018, was shortlisted for the Encore Second Novel Award 2019.


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Course Details

  • Start Date: 31/08/2022
  • Duration: 6 weeks
  • Price: 299 NZD