Poetry Course with Eileen Casey

With Eileen Casey. Starting 18/05/2022

The Online Poetry Course – 2 places remaining

The Online Poetry Course is an ideal way to explore the business of poetry under the guidance of a published poet.

There will be weekly writing assignments and your tutor will provide written feedback on those assignments.

The tutor will email you on the course start date with your first module; please check your Spam/Junk folder for this email.

Course Outline

Week One: Found Poetry

‘It’s not what you are looking at, it’s what you see,’ (Thoreau).
This module discusses the basis of how ‘found’ poetry is identified. Discovering texts and images which appear to be non-poetic but which are loaded with poetic potential is a tremendous way of honing critical faculties. The course will supply text in its ‘raw’ shape, demonstrating how line breaks can intervene to create a whole new linguistic dynamic. Creating line breaks is part of the process of developing a writer’s unique style. A glossary of useful literary terms will be provided.

Week Two: Form.

Using ‘found’ material, varying types of form will be applied in order to transform the ordinary into the extraordinary. In general, form and content have a symbiotic relationship, the latter often determining the former. Form can range from a simple shopping list to a Shakespearean Sonnet. Making the form choice ensures that the work has structure and definition. Various form examples (from the classical to newer, more contemporary ones) will be provided. The merits of free verse will also be explored.

Week Three: White Fences make Good Neighbours.
Couched in another way; both a borrower and a lender be. Using existing work and recasting it provides the opportunity to get beneath ‘its skin’ in terms of producing a work of parody or simply by extending boundaries. Taking work already honed and polished by established poets allows the opportunity to amplify or redefine a single segment of the work, restructuring it to fit a new purpose.

Week Four: The View from the Window

Adopting personas in poetry is a useful way of developing voice. This module sets in train the facility whereby new poetic horizons can be entered. Akin to ‘viewpoint’ in fiction, ‘The View from the Window’ encourages the ability to adopt a gallery of different perspectives/personalities so that the resulting poems are multi-layered. The ‘Crazy Jane’ poems of W.B. Yeats, among others, are an example of this.

Week Five: Opening the Storehouse of Memory

Memoir poems based around people and places are a rich lyrical source. Memoir poems are filled with light and shade. They can be piercing and perceptive or darkly humorous. Memoir poems have the ability to transcend and transgress; to obey their own rules, to unearth and unfold. Timeline and historical backdrop can often provide the scaffolding for these poems, using language possibilities which cross space and time.

Week Six: The Collaborative Space

‘God is really only another artist. He invented the giraffe, the elephant and the cat. He has no real style. He just goes on trying other things.’ – Pablo Picasso
Part of the process of being a poet is the facility to collaborate with other art forms, to go on ‘trying other things.’ This module examines the relationship between the written word and the world of painting, photography and music. Engagement with other art forms broadens the sensual experience. A sequence becomes a suite, the blank page transforms to canvas, a photograph becomes a Haiku. Participants will be invited to choose a favourite image/piece of music and use it as a starting point for new poetic beginnings. A glossary of relevant technical terms will be included as a means towards shaping the work.

“Eileen is very generous with sharing her knowledge of the creative process, explaining how she uses memory and transforms this into poetry. The weekly downloads are of an extremely high standard and rich with detail, so that even after the course has finished, you can go back to the notes and continue learning from them.” Caroline

“Admittedly I did trawl the internet looking for an inspiring poetry course with a somewhat cynical eye. Yet somehow The Lost and Found Poetry course appealed to me as it seemed to be about the kind of poetry I love which taps into our human sense of wonder. To my surprise the modules turned out to be extremely motivational as they are designed to nurture creativity by providing interesting model poems and offering exercise choices. Personally I found this course took my writing to the next level which was exactly what I needed.” Alison

If you have any further queries, you can check out our Frequently Asked Questions or email us at info@creativewriting.co.nz

Our cancellation/refund policy may be viewed here.

About The Tutor

Eileen Casey is a poet, fiction writer and journalist and holds an M.Phil in Creative Writing. Her work is widely published in outlets such as The Moth, Verbal Arts Magazine, County Lines: Portrait of a County (New Island); The Ulster Tatler, Ice, The Irish Times, The Jelly Bucket, The Coffee House, among others. Recent awards include a Patrick and Katherine Kavanagh Fellowship and a Hennessy Literary Award (Emerging Fiction). She also won the The Francis Ledwidge Award, The Moore Medallion and The Oliver Goldsmith International Poetry Prize. Her debut poetry collection ‘Drinking the Colour Blue’ was published in 2008. ‘Snow Shoes’ (Arlen House), a debut collection of short stories was published in 2012 and in 2014, Eileen’s collection of memoir essays ‘A Fascination with Fabric,’ was published (Arlen House). She was a visiting writer on the 2011 Eastern Kentucky University Winter Residency, in Lexington, Kentucky.

 

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Course Details

  • Start Date: 18/05/2022
  • Duration: 6 Weeks
  • Price: 280 NZD